Textual thresholds in the Deewan (Alienation and Expatriation) by Hashem Saleh Manna
DOI:
https://doi.org/10.24235/ijas.v5i1.13256Keywords:
textual thresholds, alienation, expatriation, Hashem SalehAbstract
Purpose: The objective of this research is to define the concept of textual thresholds, as well as their types and functions, before elucidating the most significant external and internal thresholds in Hashem Saleh Manna's Diwan. Design/ methods/approach: This research was conducted using an analytical descriptive method using a content analysis approach with The primary research source is Hashem Saleh Manna's DÄ«wÄn (ÄlÄ¡arabaẗ wÄ al iÄ¡tirÄb). Findings: This study found that the thresholds of the text are all that surround it, from the title and its color hues to the author's name, sexual indicators, and dedication to the introduction, which opens the door for the reader to dive into the text and reveal its aesthetics. The title is the book's first boundary, allowing the reader to access the text and discover its many dimensions. Hashim Manna's Deewan's beauty is enhanced by the textual threshold, which encourages readers to explore the text's meanings. And the repetitions (questions and exclamations) in these poems in Deewan demonstrate the instability of the psychological state, the poet's numerous queries, his rejection of his reality, which is forced, and his sentiments of alienation and estrangement. The poet helps the addressee feel his dejection (alienation and estrangement) by expressing his emotions. As in other deewan poems, the poet closes his poem with a house where he prays for Muhammad (Pbuh).
تكمن أهمية البØØ« كونه يتناول Ùكرة العتبات النصية ÙÙŠ ديوان شعري لشاعر Ù…Ùعاصر، والكش٠عن توظي٠هذه العتبات ÙÙŠ الجانب الدلالي. ويهد٠البØØ« إلى تØديد Ù…Ùهوم العتبات النصية وأنواعها ووظائÙها، ثم بيان أهم هذه العتبات الخارجية والداخلية ÙÙŠ ديوان (الغربة والاغتراب) لهاشم ØµØ§Ù„Ø Ù…Ù†Ø§Ø¹ØŒ والوقو٠على بعض قصائد هذا الديوانلدراسة عتباتها ودلالاتها.ويعتمد البØØ« على المنهج الوصÙÙŠ التØليلي من خلال اختيار ديوان (الغربة والاغتراب)ØŒ ثم تØليل العتبات النصية Ùيه. وتوصل الباØØ« إلى مجموعة من النتائج أهمها: العتبات النصية هي كل ما ÙŠØيط بالنص من عناوين وألوان، واسم الكاتب، والمؤشر الجنسي، والإهداء والاستهلال Ùهي تÙØªØ Ø§Ù„Ø£Ø¨ÙˆØ§Ø¨ أمام المتلقين للغوص ÙÙŠ النص والكش٠عن جمالياته، ويعد العنوان العتبة الاستهلالية الأولى للكتاب Ùهو السبيل للوصول إلى النص، ويÙمكن القارئ من تكوين Ùهمه الخاص للنص واكتشا٠أبعاده المختلÙØ©ØŒ كما أضاÙت العتبات النصية إلى ديوان(الغربة والاغتراب) لهاشم مناع جماليات تÙØÙÙ‘Ùز القارئ إلى التسلل إلى أغوار النص بØثاً عن المعاني المضمرة Ùيه.
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