DAKWAH, WEALTH AND DESIRE OF SEXUALITY IN ISLAM: THE CONCEPT OF LOVE IN HABIBURRAHMAN EL-SHIRAZY’S AYAT-AYAT CINTA 2
DOI:
https://doi.org/10.24235/ileal.v2i2.1458Keywords:
Ayat-Ayat Cinta 2, Islamic, literature, novel, sociologyAbstract
Dalam rangka melanjutkan misi dakwah, Habiburrahman El-Shirazy yang dikenal sebagai penulis fenomenal novel populer Islam di Indonesia menulis novel terbaru, berjudul Ayat-Ayat Cinta 2 (2015). Novel ini mempertahankan tema cinta seperti dalam novel sebelumnya, Ayat-Ayat Cinta (2014). Isu yang dikemukakan tentang cinta seorang gadis dan kepahlawanan seorang pemuda yang dikaitkan dengan tema dakwah. Penelitian ini bertujuan untuk memahami penggabungan tema Islam dengan hasrat cinta kasih dalam Ayat-Ayat Cinta 2. Penelitian ini mengamati kecenderungan cinta sebagai konsep yang digunakan oleh novelis-novelis Indonesia untuk mengacu pada fase perkembangan dalam kesusastraan Indonesia. Selanjutnya, penelitian ini juga menggunakan sosiologi kesusastraan untuk menghubungkan pokok bahasan cinta dengan latar belakang penulis, misi penerbit, dan realitas kemasyarakatan.
Â
To continue the mission of Islamic dakwah, Habiburrahman el Shirazy known as a phenomenal author of Islamic popular novel in Indonesia presents his latest novel, Ayat-Ayat Cinta 2 (2015). More significantly, this novel maintains a theme of love in his previous novels including Ayat-Ayat Cinta (2014). The ugly heroin, the lascivious hero and a sexual interest have been connected with the theme of dakwah. To fathom how the theme of Islam can be combined with the sexual desire, this study explores the concept of love in Ayat-Ayat Cinta 2. The study observes the inclination of love as a concept used by the Indonesian preacher-novelist in reference to the developmental phase in the Indonesian literature. Furthermore, this study also uses the sociology of literature to link the subject of love with the author’s background, the publisher’s mission, and the reality of community.
References
Arnez, Monika. 2009. “Dakwah By The Pen: Reading Helvy Tiana Rosa’s Bukavu†in Indonesia and The Malay World 37, no.107 (2009): 45-64.
Baruch, Elaine Hoffman. 1992. Women, Love and Power. New York: New York University Press.
Habiburrahman El-Shirazy. 2015. Ayat-Ayat Cinta 2. Jakarta: Republika.
Kern, Stephen. 1994. The Culture oF Love Victorian to Moderns. England: Harvard University Press.
Maier, H.M.J. 1993. “Beware and Reflect, Remember and Recollect: Tjerita Njai Soemirah and the Emergence of Chinese Malay Literature in the Indies†in Journal Bijdragen tot de Taal-, Land- en Volkenkunde, Deel 149, No.2 (1993): 274-97.
Moussay, Gerard. 1986. “Une Grande Figure de I’ Islam Indonesien: Buya Hamka.†Archipel 32 (1986): 87-88.
Musa, Mohd Faizal. 2012. “Fenomena Sastera Islam di Indonesia.†International Journal of the Malay World and Civilisation 30, No.1 (2012): 41-53.
Rani, Mohd Zariat Abdul. 2012. “Islam, Romance and Popular Taste in Indonesia: A Textual Analysis of Ayat-Ayat Cinta by Habiburrahman El-Shirazy and Syahadat Cinta by Taufiqurrahman Al-Azizy†in Indonesia and The Malay World 40, No.116 (2012): 59-73.
Rani, Mohd Zariat Abdul. 2004. Seksualiti Dalam Novel Melayu: Satu Analisis Teks Berdasarkan Persuratan Baru. Bangi: Universiti Kebangsaan Malaysia.
Salleh, Muhammad. “In Search of Literary Love in Malay Literature: The Early Stages of Relationship†in Asiatic 5, No. 2 (2011): 19-39.
Salim, Leon. 2010. Prisoners at Kota Kane (Traslator by Audrey Kahin). Singapore: Equinox Publishing (Asia) Pte.Ltd.
Taras, Raymond. 2012. Xenopobhia and Islamopobhia in Europe. Edinburgh: Edinburgh University Press.
Teeuw, A. 1967. Modern Indonesian Literature. Netherland: Springer Netherland.
Watson, C.W. 2005. “Islamic Book and Their Publisher: Notes on the Contemporary Indonesian Scene.†Journal of Islamic Studies 16, no.2 (2005): 177-210.
Yudiyanto, K.S. 2007. Pengantar Sejarah Sastera Indonesia. Jakarta: PT Grasindo.
Downloads
Published
Issue
Section
License
Copyright (c) 2022 Indonesian Language Education and Literature

This work is licensed under a Creative Commons Attribution 4.0 International License.
- The journal retains the copyright of the work and publishes it under the terms of the Creative Commons Attribution 4.0 International License (CC BY), which permits others to share, adapt, and use the work with proper acknowledgment of the authorship and initial publication in this journal.Â
- The author is able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book) with the acknowledgment of its initial publication in this journal.
- The author is permitted and encouraged to post his/her work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of the published work.