Patriarchal Culture in the Short Story Bayt Min Laḥm by Yusuf Idris.

Authors

  • Annisa Nabila universitas islam negeri syarif hidayatullah jakarta
  • Yeni Ratna Yuningsih universitas islam negeri syarif hidayatullah jakarta
  • Minatur Rokhim universitas islam negeri syarif hidayatullah jakarta

DOI:

https://doi.org/10.24235/t9hba693

Keywords:

bayt min laḥm, patriarchy, semiotics, yusuf idris

Abstract

This study analyzes the representation of patriarchal culture in Yusuf Idris's short story Bayt min Laḥm, which captures the social conditions of post-war Egypt in 1967. This short story shows the limitations of women's roles in the domestic and social realms, as well as how men's existence is positioned as a source of legitimacy of family values and expectations. The narrative centers on three princesses who convince their mother to marry a blind qārī', in the hope that her presence will attract other potential male suitors. However, instead of presenting new hope, the presence of the qārī' creates an atmosphere of fear, suspicion, and psychological pressure that emphasizes women's subordination. This study uses Roland Barthes' semiotic approach with qualitative descriptive methods. The results of the analysis show that women in short stories are depicted as having no social or emotional autonomy without the presence of male figures, thus strengthening the patriarchal dominance structure in the family. The findings of this study confirm that Yusuf Idris's work not only serves as a social critique, but also opens up space for reflection on the position of women in the construction of Egyptian patriarchal culture.

References

Ahyar, J. (2019). Apa Itu Sastra; Jenis-Jenis Karya Sastra dan Bagaimanakah Cara Menulis dan Mengapresiasi Sastra. In CV Budi Utama.

Allen, R. (1981). The Artistry of Yūsuf Idrīs. World Literature Today, 55(1), 43–47.

Asriningsari, A., & Umaya, N. M. (2019). Semiotika Teori dan Aplikasi Pada Karya Sastra. IKIP PGRI SEMARANG PRESS.

Basri, S. Q., & Sari, E. K. (2019). Tari Remo (Ngremong): Sebuah Analisis Teori Semiotika Roland Barthes Tentang Makna Denotasi Dan Konotasi Dalam Tari Remo (Ngremong). GETER : Jurnal Seni Drama, Tari Dan Musik, 2(1), 55–69. https://doi.org/10.26740/geter.v2n1.p55-69

Hafez, S., & Cobham, C. (1988). A Reader Of Modern Arabic Short Stories. Saqi Books.

Hasan, B. (2019). Gender Dan Ketidak Adilan. Jurnal Signal, 7(1), 63–86. https://doi.org/10.33603/signal.v7i1.1910

Noor, J. (2012). Metode Penelitian: Skripsi, Tesis, Disertasi, dan Karya Ilmiah. Prenada Media Group.

Rokhimah, S. (2014). Patriakhisme dan Ketidakadilan Gender | MUWAZAH: Jurnal Kajian Gender. Jurnal Muwazah, 6(1), 1–14. http://e-journal.iainpekalongan.ac.id/index.php/Muwazah/article/view/440

Safitri, W. E. (2018). Peran perempuan terhadap perubahan sosial Mesir (1900-1930). In Universitas Islam Negeri Syarif Hidayatullah Jakarta.

Sugiyono. (2023). Metode Penelitian Kualitatif (3rd ed.). Penerbit Alfabeta.

إدريس, ي. (2019). بيت من لحم و قصص أخرى (Vol. 17). مؤسسة هنداوي سي آي سي.

بوسكين, ن. (2022). جمالية التوتر بين الهامش والمركز قراءة ثقافية لقصتي: بيت من لحم / أكان لا بد يا ليلي أن تضيئي النور ليوسف إدريس. مجلة الرواقي, 5(1), 44–53.

حسون, ت. ك. (2014). تيار الوعي في نصين ليوسف إدريس “بيت من لحم” و “على ورق سيلوفان.” جامغة حيفا.

رمضان, ن. ط. إ. (2010). المجتمع الأبوي في الثقافة العربية. مجلة كلية الآداب, 46(1), 25.

عياش, م. (2021). يوسف إدريس على أريكة التحليل النفسي القصة القصيرة “بيت من لحم.” مجلة القبس للدراسات النفسية و الإجتماعية, 03(11), 8–18.

نداءالندى, ك. (2023). التسلسل الهرمي للاحتياجات في القصة القصيرة “بيت من لحم” ليوسف إدريس: على النظر البناء الاجتماعي بيترل. بيرجر وتوماس لاكمان. جامعة مولانا مالك إبراهيم الإسلامية الحكومية مالانج.

Downloads

Published

07-06-2026

Data Availability Statement

The data used in this study are publicly available and can be accessed at: https://share.google/IY3h53chfQ4vCjAQg

Issue

Section

Articles

Similar Articles

11-20 of 22

You may also start an advanced similarity search for this article.